• http://www.phaseone.com/ja-jp/Camera-Systems/Repro-camera-solutions/In-action.aspx
  • http://www.phaseone.com/ja-jp/Camera-Systems/Repro-camera-solutions/In-action.aspx
実例
  • Preserving material at The Morgan Library


    Photographer Graham Haber and Imaging and Rights Manager Marilyn Palmeri talk about digitization at The Morgan Library.

    "The most important thing as a cultural heritage institution is preserving the material. Only a certain number of people can look at a 700-year-old manuscript without creating a lot of damage to that manuscript but by having very high quality imaging, there is no need for that. At the same time getting the best capture, the best fidelity, the best color that is available." Graham Haber.

  • Digitization of cultural heritage materials at Creekside Digital


    Watch Jim Studnicki, founder and president of Creekside Digital, talk about digitization of cultural heritage materials. Using the Phase One IQ180 80 megapixel digital back and Digital Transitions' RCam allows them to shoot everything from multiple types of photographic materials, non-microfilm trans-missive materials, reflective photographic prints, art reproduction and then manuscripts. "All those sorts of things become possible when you have a real camera versus a fixed scanning platform".

  • マンチェスターのジョン・ライアンズライブラリー収蔵の重要文化財の撮影


    マンチェスター大学所属のシニアフォトグラファー、ジェームス・ロビンソンとグウェン・ライリー・ジョンズが重要文化財の撮影をする様子をご覧ください。

    ジェームス・ロビンソン: この種のセッティングにはiXRを使用します。なぜなら素材の質感をより一層引き出せるからです。この機材は驚くべき要素のひとつがミラーレスです。ミラーレス機能だから実現できるのです。また長時間の撮影時にも便利です。

  • Cultural Heritage photography 1/2


    In order to protect our history cultural institutions as well as content and service providers have the task of digitizing collections that are broad and varied. Meeting image quality standards is essential for the digitization of these rare and precious materials so that the finest details can always be examined now and in the future.

    This is part one of two free inspirational on-line sessions about best practices and workflow strategies by imaging experts within the cultural heritage sector.

  • Cultural Heritage photography 2/2


    One of the major challenges is to establish a workflow that utilizes appropriate hardware and is suitable for material safety in efficient digitization while also providing the highest image quality and rapid capture rates for varied collection types.

    This is part two of two free inspirational on-line sessions about best practices and workflow strategies by imaging experts within the cultural heritage sector.

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iXA aerial camera

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The Phase One iXA aerial camera system is built to meet the exacting needs of aerial photography and streamline the entire capture and processing workflow. It is easily integrated into existing systems, both onboard the aircraft and in post production. Learn more on our Phase One Industrial site.
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